Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens Perseus Freeing Andromeda oil painting


Perseus Freeing Andromeda
1638(1638) Medium Oil on canvas cyf
Painting ID::  88929
Peter Paul Rubens
Perseus Freeing Andromeda
1638(1638) Medium Oil on canvas cyf
   
   
     

Peter Paul Rubens Abraham Ortelius oil painting


Abraham Ortelius
oil on wood Date 1633(1633) Medium oil on wood cjr
Painting ID::  89071
Peter Paul Rubens
Abraham Ortelius
oil on wood Date 1633(1633) Medium oil on wood cjr
   
   
     

Peter Paul Rubens Amazonenschlacht oil painting


Amazonenschlacht
c. 1619 Medium oil on wood Dimensions 121 x 165 cm (47.6 x 65 in) cjr
Painting ID::  89350
Peter Paul Rubens
Amazonenschlacht
c. 1619 Medium oil on wood Dimensions 121 x 165 cm (47.6 x 65 in) cjr
   
   
     

Peter Paul Rubens Bacchus oil painting


Bacchus
between 1638(1638) and 1640(1640) Medium Oil on canvas cyf
Painting ID::  89392
Peter Paul Rubens
Bacchus
between 1638(1638) and 1640(1640) Medium Oil on canvas cyf
   
   
     

Peter Paul Rubens Self-portrait with a Hat oil painting


Self-portrait with a Hat
between 1623(1623) and 1625(1625) Medium oil on wood cyf
Painting ID::  89396
Peter Paul Rubens
Self-portrait with a Hat
between 1623(1623) and 1625(1625) Medium oil on wood cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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